The Nouggara is a traditional Sudanese drum, central to cultural and folk events, especially among the Baggara tribes. Made from wood and animal hide, it is played with sticks, producing iconic rhythms .
The Jaras is a metal percussion instrument used in Sudanese Sufi processions alongside the Noba and Tar. Made from copper or bronze, it consists of circular discs with raised edges, struck or clashed to create rhythmic sounds. Its beats start slow and gradually intensify as the procession nears its destination.
The Rig is a type of Douf or Tar used in Sudanese folk music and Al Hakeeba songs. It features a wooden or metal frame with ten pairs of small cymbals and a goat-skin or synthetic cover. Played by striking the skin and cymbals, it adds rhythmic depth to traditional Sudanese music.
The Tar is a percussion instrument from Aswan, widely used in northern Sudan, especially by the Nubians and Halfaween tribe. It plays a key role in Sufi religious praise in central Sudan. Made of wood with goat leather stretched over the frame, it is essential in Sudanese spiritual and folk music.
The Tambour is an ancient stringed instrument central to Sudanese musical heritage, known by various names across regions. It consists of a wooden resonating body (Dabkar), a cowhide cover, three wooden pieces (Qawayim and Arrada), and 4 to 6 strings. Played with fingers or a plectrum, its design varies but retains its unique, traditional sound.
The Agamo is an ancient Sudanese wind instrument made from sugarcane, featuring five pipes of varying lengths tuned to the pentatonic scale. Resembling a pan flute, it holds cultural significance in the Blue Nile region, symbolizing human and social connections through its unique melodies.